Robert's blog 'On Photography': TRENDS in PHOTOGRAPHY and GRAPHIC DESIGN in the 1990's

A slide show with images of 'TRENDS IN PHOTOGRAPHY & GRAPHIC DESING IN THE 1990'S.
Designed to be viewed on your smartphone or tablet. Click on an image to be directed to the corresponding file.

trends001 2000 © TRENDS in 1990's: 'Paolo GIOLI 1996 (Italy)' contact

source: book: 'Paolo Gioli, fotografie, dipinti, grafica, film' texts by: Silvia Bordini, Jean-Michel Bouhours, Marisa Dalai Emiliani, Roberta Valtorta, Palazzo delle esposizioni exposition: Palazzo delle Esposizioni di Roma, 17 janvier-28 février 1996

trends002 2000 © TRENDS in 1990's: 'Achim MOHNÉ (Germany)' contact

source: advertisement for VEENMAN Drukkers, I think in 1994. caption reads "the Quality of Exposed Silver", Achim uses a liquid photo emulsion. curator photography for this campain Robert SCHILDER

trends003 2000 © TRENDS in 1990's: 'OCCHIOMAGICO (Italy)' contact

source: CIRCLE-24, Occhiomagico art photography OCCHIOMAGICO "The Human Condition" The man, alone, in front of the universe tries to win his fear, He is assailed with fear every time a star falls. The man, with other men, tries to keep peace and is assailed with war. Giancarlo Maiocchi (art-photography purchased by Veenman Drukkers for their advertisement) Specialises in photos of set-building and still-life with special effects and models. The Occhiomagico studio first started up in 1971. In the following eight years 'Occhiomagico' occupied himself with expressive research through the elimination of the traditional visual codes and criteria of the photographic medium. In 1978 held first exhibition at to this item

trends004 2000 © TRENDS in 1990's: 'Pauline PRIOR (the Netherlands)' contact

projection on balloons, Pauline PRIOR had her exhibition in Galerie 24 in the Hague

trends005 2000 © TRENDS in 1990's: 'Ashvin GATHA (Switzerland)' contact

Ashvin Gatha is an international photographer-journalist working around the world on editorial, corporate-identity and industrial photography. He lives in Vevey, Lausanne, Switzerland. The key trademark of Ashvin Gatha's work is colour and graphics and this has been aptly described in The British Journal of Photography by Ainslie Ellis: "None, I believe, can ever have risen so fast, travelled so far, or have begun from so unlikely a start, as Ashvin Gatha. His life story suits such exotic, vital and eloquent colour photography and he photographs colour better than anyone else who's work I have ever seen" The work of Ashvin Gatha has been viewed at many exhibitions throughout the world. His work can be found in the permanent collections of the Museum of Modern Art in New York and the National Library in Paris. He has worked for numerous magazines: National Geographic, Asia Magazine, L'Hebdo Magazine, Geo, Sunday magazines and many more. His commercial work clients include everything from multinationals to charity organisations and international airlines to Swiss cheese producers. He works with renowned designers such as Allan Flatcher in London, Toni Palladino en Shin Tora in New York, Subarshan Deer in Bombay, Igarashi in Tokyo and Gerard Lebet in Switzerland. Even if you have only seen a small part of his work - you get the impression that he has used his time exceptionally well.

trends006 2000 © TRENDS in 1990's: 'Dennis SAVINI (Switzerland)' contact

Dennis Savini and Iréne Ruefenacht are two photographers who both like to work in their studio on still-life but also internationally for annual reports. Their personal art photography inspires their commercial photography."Iréne and I work as a team! Most of all we do still-life photography (we see portraiture or nude as still life as well). The most important thing for our work is the idea, which has to include information as well as being simple to understand. Thereafter comes the light which blows life into our thoughts and gives them atmosphere and colour. This work, connecting creativity and beauty is of a kind which makes us deeply sastisfied and sometimes very tired too." Dennis is eager to use new techniques. He is well-known for stunning studio work and recently produced a book of stereo/3D photography. He is regularly invited to give masterclass workshops for professional photographers by Sinar Ag Schaffhausen. Co-ordinator: 'Between Ideal and Reality' (Galerie 24 16.4.94 - 21.5.94) an exhibition of young Swiss photography which featured eight young talents from different fields of photography. This exhibition gives an insight in the current Swiss photo scene.

trends007 2000 © TRENDS in 1990's: 'Emmo ITALIAANDER (INDONESIA)' contact

trends008 2000 © TRENDS in 1990's: 'Eric van CASTEREN (the NETHERLANDS)' contact

trends009 2000 © TRENDS in 1990's: 'Joseph FUNG (Hong Kong)' contact

trends010 2000 © TRENDS in 1990's: 'Ki ho PARK (SOUTH KOREA)' contact

Ki Ho Park's photographs - Past in Pictures Ki Ho Park's Photographs are full of news - the latest and powerful. Today, they are stunning record of the sharpen of our presence. Over 10 years, the pictures taken by Ki Ho Park made living into art itself, and the public loves him for it. Year after year, month after month, his photographs have remained signatures, often an inspiration for his contemporaries. They signal a distinct, fine tradition. Through his photographs, our vision of the world expanded to include people, places and ideas that everyone didn't already know but should. He introduced us to people from distant social circles across east, across west and in between. From the start, Ki Ho Park has sought for the truth in life. His graduating thesis at Rhode Island School of Design showed his early understanding of compassion. Who ever and where ever his subjects were, such as his early works of refugees in Thailand and their search for reunion with relatives, Ki Ho Park made sure that nowhere would those dreams come truer than in his photographs. Ki Ho Park's turning point came while he worked at the Magnum photo agency in New York. In New York, he saw through the eyes of Bruce Davidson, Cartier Bresson and other Magnum photographers whose work was published for audiences too accostumed to seeing the good (not enough bad). With Bruce Davidson Ki Ho Park discovered the wonder of printing b&w and color works for his archive as well as for his 'Subway book New York'. With Bruce Davidson Ki Ho Park learned how to conjure insightful images whatever the subject was. Today Ki Ho Park shoots regularly for such demanding clients as AT&T, Businessweek, Fortune, Forbes, Sam Sung and Deawoo. His compassion and sensitive eye for visual perception has earned him the reputation that clients come back year after year.

trends011 2000 © TRENDS in 1990's: 'Robert SCHILDER (the Netherlands)' contact

"We are convinced that the key to our future lies in understanding how other cultures communicate." This credo describes the reasoning behind Robert Schilder's creation of Circle 24 , the foundation for leading photographers from all over the world. Robert studied at the College of Photography in the Hague. After eight years working with Philips in their Photographic and Corporate Industrial Design departments, Robert established his own studio in Eindhoven in 1978. Since that time he has built up an impressive client list of national and international companies and advertising agencies. He has been invited to give workshops at academies from India to Scotland. An unstoppable force, Robert launched himself whole-heartedly into the project "The Other Way of Seeing" immediately after officially establishing Circle 24. This project was an exhibition of vintage and contemporary Indian photography spanning 130 years, which clearly shows that the photographic manner of seeing in India is very different to that of the western world. To collect information and material for the project, Robert spent three months tirelessly travelling the length and breadth of India, meeting with photographers and studying their work. The exhibition was shown in several locations including the Museum of Anthropology, Rotterdam, the Netherlands. Baden-Baden and East Berlin. In 1994 Robert turned his energy towards opening Galerie 24, the first Centre for International Photography in the Hague. The gallery serves as a meeting place for the members of Circle 24 and presents new ideas and contemporary trends in photography, through regular exhibitions and a series of professional workshops.

trends012 2000 © TRENDS in 1990's: 'Sabine KORTH (ITALY)' contact

trends013 2000 © TRENDS in 1990's: 'Sandor BENKOE (Hungary)' contact

trends014 2000 © TRENDS in 1990's: 'Taffi ROSEN (Canada)' contact

Passion. That, above all, characterizes the work of Canadian photographer Taffi Rosen of Red Head Studios, Toronto. Within little more than a decade she has produced an astonishingly varied body of work that attests unequivocally to her ability to photograph anyone and anything, anywhere and imbue even a seemingly mundane subject with an extraordinary appeal, urgency and vitality. Her photographic images demand to be both seen and experienced. Not surprisingly, her work has appeared in a number of prestigious international exhibitions and publications.

trends015 2000 © TRENDS in 1990's: 'Tetsuro TAKAI (JAPAN)' contact

AWARDS Finland Lahti Poster Biennale - Grand Prize, USA - Clio Award Japan Advertising Photographers Association - (APA) Award Magazine AD - Gold Prize Chairman of the Japan Advertising Photographers Association

trends016 2000 © TRENDS in 1990's: '' contact

trends017 2000 © TRENDS in 1990's: '' contact

trends018 2000 © TRENDS in 1990's: '' contact

trends019 2000 © TRENDS in 1990's: '' contact

trends020 2000 © TRENDS in 1990's: '' contact

trends021 2000 © TRENDS in 1990's: '' contact

trends022 2000 © TRENDS in 1990's: '' contact

trends023 2000 © TRENDS in 1990's: '' contact

trends024 2000 © TRENDS in 1990's: '' contact

trends025 2000 © TRENDS in 1990's: '' contact

trends026 2000 © TRENDS in 1990's: '' contact

trends027 2000 © TRENDS in 1990's: '' contact

trends028 2000 © TRENDS in 1990's: '' contact

trends029 2000 © TRENDS in 1990's: '' contact

trends030 2000 © TRENDS in 1990's: '' contact

trends031 2000 © TRENDS in 1990's: '' contact

trends032 2000 © TRENDS in 1990's: '' contact

trends033 2000 © TRENDS in 1990's: '' contact

trends034 2000 © TRENDS in 1990's: '' contact

trends035 2000 © TRENDS in 1990's: '' contact

trends036 2000 © TRENDS in 1990's: '' contact

trends037 2000 © TRENDS in 1990's: '' contact

trends038 2000 © TRENDS in 1990's: '' contact

trends039 2000 © TRENDS in 1990's: '' contact

trends040 2000 © TRENDS in 1990's: '' contact

trends041 2000 © TRENDS in 1990's: '' contact

trends042 2000 © TRENDS in 1990's: '' contact

trends043 2000 © TRENDS in 1990's: '' contact

trends044 2000 © TRENDS in 1990's: '' contact

trends045 2000 © TRENDS in 1990's: '' contact

trends046 2000 © TRENDS in 1990's: '' contact

trends047 2000 © TRENDS in 1990's: '' contact

trends048 2000 © TRENDS in 1990's: '' contact

trends049 2000 © TRENDS in 1990's: '' contact

trends050 2000 © TRENDS in 1990's: '' contact

trends051 2000 © TRENDS in 1990's: '' contact

trends052 2000 © TRENDS in 1990's: '' contact

trends053 2000 © TRENDS in 1990's: '' contact

trends054 2000 © TRENDS in 1990's: '' contact

trends055 2000 © TRENDS in 1990's: '' contact

trends056 2000 © TRENDS in 1990's: '' contact

trends057 2000 © TRENDS in 1990's: '' contact

trends058 2000 © TRENDS in 1990's: '' contact

trends059 2000 © TRENDS in 1990's: '' contact

trends060 2000 © TRENDS in 1990's: '' contact

trends061 2000 © TRENDS in 1990's: '' contact

trends062 2000 © TRENDS in 1990's: '' contact

trends063 2000 © TRENDS in 1990's: '' contact

trends064 2000 © TRENDS in 1990's: '' contact

trends065 2000 © TRENDS in 1990's: '' contact

trends066 2000 © TRENDS in 1990's: '' contact

trends067 2000 © TRENDS in 1990's: '' contact

trends068 2000 © TRENDS in 1990's: '' contact

trends069 2000 © TRENDS in 1990's: '' contact

trends070 2000 © TRENDS in 1990's: '' contact

trends071 2000 © TRENDS in 1990's: '' contact

trends072 2000 © TRENDS in 1990's: '' contact

trends073 2000 © TRENDS in 1990's: '' contact

trends074 2000 © TRENDS in 1990's: '' contact

trends075 2000 © TRENDS in 1990's: '' contact

trends076 2000 © TRENDS in 1990's: '' contact

trends077 2000 © TRENDS in 1990's: '' contact

trends078 2000 © TRENDS in 1990's: '' contact

trends079 2000 © TRENDS in 1990's: '' contact

trends080 2000 © TRENDS in 1990's: '' contact

trends081 2000 © TRENDS in 1990's: '' contact

trends082 2000 © TRENDS in 1990's: '' contact

trends083 2000 © TRENDS in 1990's: '' contact

trends084 2000 © TRENDS in 1990's: '' contact

trends085 2000 © TRENDS in 1990's: '' contact

trends086 2000 © TRENDS in 1990's: '' contact

trends087 2000 © TRENDS in 1990's: '' contact

trends088 2000 © TRENDS in 1990's: '' contact

trends089 2000 © TRENDS in 1990's: '' contact

trends090 2000 © TRENDS in 1990's: '' contact

trends091 2000 © TRENDS in 1990's: '' contact

trends092 2000 © TRENDS in 1990's: '' contact

trends093 2000 © TRENDS in 1990's: '' contact

trends094 2000 © TRENDS in 1990's: '' contact

trends095 2000 © TRENDS in 1990's: '' contact

trends096 2000 © TRENDS in 1990's: '' contact

trends097 2000 © TRENDS in 1990's: '' contact

trends098 2000 © TRENDS in 1990's: '' contact

trends099 2000 © TRENDS in 1990's: '' contact

trends100 2000 © TRENDS in 1990's: '' contact

trends101 2000 © TRENDS in 1990's: '' contact

trends102 2000 © TRENDS in 1990's: '' contact

trends103 2000 © TRENDS in 1990's: '' contact

trends104 2000 © TRENDS in 1990's: '' contact

trends105 2000 © TRENDS in 1990's: '' contact

trends106 2000 © TRENDS in 1990's: '' contact

trends107 2000 © TRENDS in 1990's: '' contact

trends108 2000 © TRENDS in 1990's: '' contact

trends109 2000 © TRENDS in 1990's: '' contact

trends110 2000 © TRENDS in 1990's: '' contact

trends111 2000 © TRENDS in 1990's: '' contact

trends112 2000 © TRENDS in 1990's: '' contact

trends113 2000 © TRENDS in 1990's: '' contact

trends114 2000 © TRENDS in 1990's: '' contact

trends115 2000 © TRENDS in 1990's: '' contact

trends116 2000 © TRENDS in 1990's: '' contact

trends117 2000 © TRENDS in 1990's: '' contact

trends118 2000 © TRENDS in 1990's: '' contact

trends119 2000 © TRENDS in 1990's: '' contact

trends120 2000 © TRENDS in 1990's: '' contact

trends121 2000 © TRENDS in 1990's: '' contact

trends122 2000 © TRENDS in 1990's: '' contact

trends123 2000 © TRENDS in 1990's: '' contact

trends124 2000 © TRENDS in 1990's: '' contact

trends125 2000 © TRENDS in 1990's: '' contact

trends126 2000 © TRENDS in 1990's: '' contact

trends127 2000 © TRENDS in 1990's: '' contact

trends128 2000 © TRENDS in 1990's: '' contact

trends129 2000 © TRENDS in 1990's: '' contact

trends130 2000 © TRENDS in 1990's: '' contact

trends131 2000 © TRENDS in 1990's: '' contact

trends132 2000 © TRENDS in 1990's: '' contact

trends133 2000 © TRENDS in 1990's: '' contact

trends134 2000 © TRENDS in 1990's: '' contact

trends135 2000 © TRENDS in 1990's: '' contact

trends136 2000 © TRENDS in 1990's: '' contact

trends137 2000 © TRENDS in 1990's: '' contact

A slide show with images from the Benares. Designed to be viewed on your smartphone or tablet. Click on an image to be directed to the corresponding file. © 2020 All copyrights are protected by the artists and design agencies mentioned. For more information please contact robert@photography-for-sale.com

Robert's blog 'On Photography'

TRENDS in PHOTOGRAPHY and GRAPHIC DESIGN in the 1990's

No comments:

Post a Comment